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This Weeks Featured Article

Bullfighting, Édouard Manet, 1865–1866.
Bullfighting, Édouard Manet, 1865–1866.

Bullfighting

Bullfighting also known as tauromachy (from Greek ταυρομαχία - tauromachia, "bull-fight"), is a traditional spectacle of Spain, Portugal, some cities in southern France and in several Latin American countries, in which one or more bulls are ritually killed in a bullring as a public spectacle. In Portugal it is illegal to kill a bull in the arena, a nonlethal variant stemming from Portuguese influence is also practiced on the Tanzanian island of Pemba[1].

The tradition, as it is practiced today, involves professional Torero (toureiros in Portuguese; also referred to as toreadors in English), who execute various formal moves in order to subdue the bull itself. Such maneuvers are performed at close range, and have in some cases resulted in injury or even death of the performer. The bullfight usually concludes with the death of the bull by a sword thrust. In Portugal the finale consists of a tradition called the pega, where men (forcados)try to grab and hold the bull by its horns when it runs at them. Forcados are dressed in a traditional costume of damask or velvet, with long knit hats as worn by the campinos (bull headers) from Ribatejo.

Bullfighting generates heated controversy in many areas of the world, including Mexico, Ecuador, Spain, Peru, and Portugal. Supporters of bullfighting argue that it is a culturally important tradition, while animal rights groups argue that it is a blood sport because of the suffering of the bull and horses during the bullfight.

There are many historic fighting venues in the Iberian Peninsula and Latin America. The largest venue of its kind is the Plaza de toros México in central Mexico City which seats 48,000 people,[2]and the oldest is the Plaza de Toros de Acho in Lima, Peru, which was built in 1766.[3]

Events in December

Festival Dates Province Description
8 Lima Lunahuana Adventure Sports Festival. Day of the Immaculate Virgin: Saint of rafting.
3 to 10 Ayacucho Week of the Latin American Freedom. Civic and patriotic event in honor of the Ayacucho Battle.
23 to 24 Cusco Popular Fair Santuranticuy. Sale and exhibition of handicraft regional products, especially the Nativity with the image of the Child Manuelito, typical Child God from Cusco.
Every Sunday Cusco Pisac. At this fair you can get handicraft of very good quality.
Every Sunday Cusco Chincheros. The Indians from neighboring towns go down the hill to sell their products through "bartering", keeping in this way their Inca customs.
3rd Week La Libertad The Madonna of the Door from Otuzco and a Regional Fair.
13 to 21 Ucayali Political anniversary of the Pucallpa's Foundation. With several public-spirited and popular activities, Pucallpa celebrates its anniversary.
25 All over the Country Feast of the Nativity. It starts with the traditional Midnight Mass. Firecrackers, lights and supper all during that night.
Entire Month Lima Christmas Handicraft Fair. A fair made up of artisans coming from all over Peru. Magnificent opportunity to admire and get the most varied and excellent Peruvian art craft.

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Alfredo Alcalde. TIM RATH/Perupedia
Alfredo Alcalde. TIM RATH/Perupedia

Alcalde explores contrasts of life and death in Peru

By TIM RATH

Peruvians that go about an ordinary morning routine may scoff at the idea of someone finding value in its documentation. However, that is exactly where artist Alfredo Alcalde finds the inspiration for his work.

Alcalde, a Peruvian artist born in Chimbote in 1961, who graduated with a Special Mention from the Escuela Nacional Autónoma de Bellas Artes, is currently presenting his work in exhibition called Eros y Tánatos.

Here, he transmits his very particular vision about life and death while human beings are portrayed as ordinary, affectionate people whose flaws and mistakes lead to the ultimate tragedy of suicides, terrorist attacks and lack of principles. Alcalde said that he finds himself of those people that are the subject of his work.

However, as Alcalde works to improve his relationship with the viewing public, he acknowledges that existence isn’t entirely made up of “ordinary” events. He sees his own works as a merger of “symbolic realism” with characters inspired by a “wave of expressionists” he come from and the “figurative artists” he now associates with.

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